James Paxton Priestley
BA (Hons) in Creative Writing (Aberystwyth), Dip.EH.P.NLP (BHR). Now studying for their MA in Creative Writing. WIP: magic realism novel centred on Aberystwyth.
BA (Hons) in Creative Writing (Aberystwyth), Dip.EH.P.NLP (BHR). Now studying for their MA in Creative Writing. WIP: magic realism novel centred on Aberystwyth.
[Trigger warning: physical and psychological abuse. Language] Although only nine years of age and small framed, Jack was a sturdy and tough little character who appeared to possess an inexhaustible supply of energy and strength. As such, he was still of the age where this boundless get-up-and-go meant he needed
The following is part of the introduction to the 1910 horror novella, The Wendigo, by the English broadcasting narrator, journalist, novelist and short story writer, Algernon Henry Blackwood. The story was first published in The Lost Valley and Other Stories (Eveleigh Nash, 1910). A considerable number of hunting parties were
The following is part of the introduction to the 1850 short story, The Legend of Sleepy Hollow, by the American author Washington Irving. He wrote it while living in Birmingham, England, and it was included in The Sketch Book of Geoffrey Crayon, Gent., his collection of thirty-four essays and short
The following is part of the prologue introduction to the 1872 Gothic novella, Carmilla, by the Irish author Sheridan Le Fanu. It is one of the earliest known works of vampire fiction, predating Bram Stoker's Dracula by twenty-five years. Upon a paper attached to the Narrative which follows,
Introduction In one of the most well-known high fantasy adventure novels of all time, The Lord of the Rings by John Ronald Reuel Tolkien, The Lady Galadriel says about the Ring passing out of knowledge that ‘History (of it) became legend, legend became myth.’ We give legend and myth oral
Author’s Note: The following piece of flash fiction is my re-imagination of a small part of Jane Austen’s 1813 novel Pride and Prejudice (taken from Volume II, Chapter IX, pages 136-138 from the 2004 Oxford World’s Classics edition).[1] In my story, Elisheva Bennet signifies the delightfully